Expressive means and stylistic devices (part III) The theory of stylistic devices, suggested by V.V.Gurevich. 1. Stylistic devices making use of the meaning of language units (figures of speech) 2. Stylistic devices making use of

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1. Stylistic devices based on the meaning of language units Metaphor

1. Stylistic devices based on the meaning of language units

Metaphor
Metonymy
Zeugma
Pun
Oxymoron

Hyperbole
Litotes
Epithet
Periphrasis
Personification,
Allusion,
Irony
Rhetorical questions.
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Metaphor (O.I.Glazunova) Nominal metaphoric phrase/ construction Predicative metaphoric phrase/ construction Genitive

Metaphor (O.I.Glazunova)

Nominal metaphoric phrase/ construction
Predicative metaphoric phrase/ construction
Genitive metaphoric phrase/ construction

“And down they bring pearls rowe…”
“That ever Rose on Scotia’s plain…”
“…and Life is a faught…”
“Thou’ll break my heart…”
“How quick Time is flying…”
“…a cup of kindness…”
“…at Fortune’s door…”
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Metaphor (O.I.Glazunova) (2) Adverbial metaphoric phrase Attributive metaphoric phrase Simile Phraseological

Metaphor (O.I.Glazunova) (2)

Adverbial metaphoric phrase
Attributive metaphoric phrase
Simile
Phraseological units

“He burned with

desire…”
«The chrystal streamlets…”
«My Love is like a red Rose…”
«My Love is like a melody,
“I pulled a rose”
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Metonymy Synecdoche Container instead of content Characteristic feature instead of the

Metonymy

Synecdoche
Container instead of content
Characteristic feature instead of the object
Name of the

instrument instead of the action/doer.
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2. Stylistic devices based on the structure of language units Repetition

2. Stylistic devices based on the structure of language units

Repetition
1)

Lexical repetition
Anaphora – the repetition of he same elements in the beginning of several sentences.
EX.: No tree, no shrub, no blade of grass, not a bird or beast, not even a fish that was not owned!
Epiphora - the repetition of he same elements in the end of several sentences.
2) Syntactic repetition
syntactic tautology or syntactic parallelism
EX. Little Miss Muffet / She sat on a tuffet.
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Stylistic devices based on the structure of language units (2) Climax

Stylistic devices based on the structure of language units (2)

Climax –

lexical or syntactic repetition of elements which is combined with gradual increase in the emotional colouring of the sentence.
EX. I got to be agreeable to her. I got to give her presents. … I’m a slave to that woman.
Anticlimax – the opposite to the climax (the final element is obviously weaker in degree).
EX. Music makes one feel so romantic – at least it gets on one’s nerves.
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Stylistic devices based on the structure of language units (3) Stylistic

Stylistic devices based on the structure of language units (3)

Stylistic

inversion
full inversion
(EX. Blessed are the poor in spirit)
partial inversion
(EX. How little had I realized, that…)
Ellipsis - consists in omission of some parts of the sentence that are easily understood from the context.
EX. The sea is just another sky,
The sky a sea as well…
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Stylistic devices based on the structure of language units (4) Asyndeton

Stylistic devices based on the structure of language units (4)

Asyndeton -

is a deliberate omission of conjunctions.
EX. There’s no use in talking to him, he’s perfectly idiotic! (reason: because)
Polysyndeton - (opposite to asyndeton) the repeated use of the same connectors before several parts of sentence.
EX. With the curling smoke of wigwams,
With the rushing of great rivers…
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Stylistic devices based on the structure of language units (5) Chiasm

Stylistic devices based on the structure of language units (5)

Chiasm -

a reversed version of syntactic parallelism.
EX. Down dropped the breeze,/ The sails dropped down.
Antithesis - a structure that stresses a sharp contrast in meaning between the parts within 1 sentence.
EX. Some people are wise, some otherwise.
One man’s meat is another man’s poison.
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3. Phonetic expressive means and devices Alliteration – is a device

3. Phonetic expressive means and devices

Alliteration – is a device based

on repetition of the same or similar sounds at close distance, which makes speech more expressive.
EX. Willy-nilly (volence-nolence), hurly-burly (=noise).
Assonance – (a variant of alliteration)
1) repetition of the same vowels only.
EX. The wear and tear of the city life.
2) an imperfect rhyme, when only vowels are rhymed.
EX. Number – blunder, same – cane.
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3. Phonetic expressive means and devices(2) Onomatopoeia – (sound imitation) –

3. Phonetic expressive means and devices(2)

Onomatopoeia – (sound imitation) – the

use of words which denote some phenomenon by imitating its real sounding (produced by animals or natural noises).
direct
indirect
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The use of Rhythm and rhyme in versification Rhyme is produced

The use of Rhythm and rhyme in versification

Rhyme is produced by

alternation of regular alternation of stressed and unstressed syllables.
Why do you cry, Willie? ('UU/'UU)
Why do you cry? ('UU/')
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systems of versification (1) Syllabic system (French poetry) – the same

systems of versification (1)

Syllabic system (French poetry) – the same number

of syllables in different lines, whether stressed or unstressed.
Tonic system (Anglo-Saxon poetry of old times) - the number of stressed syllables.
Syllabic-tonic system of versification (modern English, Russian poetry) is based on the repetition of the same number of stressed and unstressed syllables.
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types of feet (1) A Foot – is the division of

types of feet (1)

A Foot – is the division of poetic

line from stress to stress
1. trochee (2 syllables:1-stressed, 2-nd – unstressed)
EX. Peter, Peter, pumpkin-eater ('U/'U/'U/'U)
2. iambus (2 syllables:1-unstressed, 2-nd – stressed)
EX. And then my love and I shall pace… (U'/U'/U'/U')
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types of feet (2) 3. dactil (3 syllables:1-stressed, 2 – unstressed)

types of feet (2)

3. dactil (3 syllables:1-stressed, 2 – unstressed)
EX. Why

do you cry, Willie? ('UU/'UU)
4. amphibrach (3 syllables, the stress on the 2-nd)
EX. A diller, a dollar, a ten o’clock scholar… (U'U/U'U/U'U/U'U)
5. anapest (3 syllables, the stress on the 3-nd)
EX. Said the flee, ‘Let us fly’… (UU'/UU')
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systems of versification (2) The type of foot and the number

systems of versification (2)

The type of foot and the number of

feet in the line determine the Metre of the verse:
trimetre,
tetrametre,
pentametre etc.
Rhyme is created by the repetition of the same sounds in the last stressed syllable of 2 (or more) lines in a stanza.
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Types of Rhymes (1) Male rhyme -the stress falls on the

Types of Rhymes (1)

Male rhyme -the stress falls on the last

syllable),
the Female rhyme - the stress falls on the last but one syllable:
EX. When the lamp is shattered (F.R.)
The light in the dust lies dead; (M.R.)
When the cloud is scattered, (F.R.)
The rainbow’s glory is shed. (M.R.)
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rhyming patterns (1) Paired rhymes –the rhyming pattern is AABB EX.

rhyming patterns (1)

Paired rhymes –the rhyming pattern is AABB
EX. The seed

you sow, another reaps; (A)
The wealth ye find, another keeps; (A)
The robes ye weave, another wears; (B)
The arm ye forge, another bears. (B)
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rhyming patterns (2) Alternate rhymes - the rhyming pattern is ABAB

rhyming patterns (2)

Alternate rhymes - the rhyming pattern is ABAB
EX. A

slumber did my spirit seal; (A)
I had no human fears: (B)
She seemed a thing that could not feel (A)
The touch of earthly wears. (B)
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rhyming patterns (3) Enclosing rhymes - the rhyming pattern is ABBA

rhyming patterns (3)

Enclosing rhymes - the rhyming pattern is ABBA
EX.
Much

have I traveled in the realms of gold, (A)
And many goodly states and kingdoms seen; (B) Round many western islands have I been (B)
Which bards in loyalty to Apollo hold. (A)