Native indian literature

Содержание

Слайд 2

North American Indians had a rich literature at the time of first contact with Europeans.

North American Indians had a rich literature at the time of

first contact with Europeans.
Слайд 3

The principal genres of traditional literature were: songs, the equivalent of

The principal genres of traditional literature were:
songs, the equivalent of

European lyric poems, which were often put to music before 1700,
tales, which were very similar to European short narratives.
Слайд 4

Indians continue to employ these forms today, especially in tribal settings.

Indians continue to employ these forms today, especially in tribal settings.
But

Indians who are professional authors in North America utilize the same genres as writers of other ethnic groups, that is,
fiction (the novel and short story),
poetry,
drama,
and various forms
of nonfiction.
Слайд 5

The first American Indian to publish a literary work in English

The first American Indian to publish a literary work in English

was Samson Occom (Mohegan, 1723–92) A Sermon Preached at the Execution of Moses Paul.
Слайд 6

Other early Indian writers of note were Yellow Bird (Cherokee, 1827–67)

Other early Indian writers of note were
Yellow Bird (Cherokee, 1827–67)

Yellow Bird, also known as John Rollin Ridge, The Life and Adventures of Joaquin Murieta.
Sarah Winnemucca (Paiute, 1844–91) Life among the Piutes is a classic.
Alexander Posey (Creek, 1873–1908). a poet and humorist. “Fus Fixico Letters” are appreciated as excellent examples of political satire.
Слайд 7

In the first half of the 20th century, the major Indian

In the first half of the 20th century, the major Indian

writers were:
Charles Eastman (Sioux, 1858–1939),
John Joseph Mathews (Osage, 1894–1979),
D’Arcy McNickle (Cree, Flathead, 1904–77).

The 20th c. authors

Слайд 8

was active in early pan-Indian movements had a good deal of

was active in early pan-Indian movements
had a good deal of

influence as a public intellectual.
reworked traditional Sioux tales for white audiences, cleaning up the racier ones to make them appropriate for children.

Charles Eastman (Sioux, 1858–1939)

Слайд 9

John Joseph Mathews’s writings were often a surprise to readers of

John Joseph Mathews’s
writings were often a surprise to readers of

his time, who generally viewed Indians as hapless, impoverished victims.
Слайд 10

his work represents the highwater mark of Indian literary achievement before

his work represents the highwater mark of Indian literary achievement before

the American Indian Literary Renaissance that began in the late 1960s.
The Surrounded (1936), a story of the encroachment of Euro-American culture on the Indians living on the Flathead Reservation in northern Montana.
The novel has the mood and power of a Greek tragedy.

D’Arcy McNickle

Слайд 11

The 1960s, a decade of dramatic cultural and political upheaval in

The 1960s, a decade of dramatic cultural and political upheaval in

the United States, ushered in a renaissance in American Indian culture

The Renaissance of Indian American Literature

Слайд 12

In the work Native American Literatures: An Introduction, author Suzanne Lundquist

In the work Native American Literatures: An Introduction, author Suzanne Lundquist suggests the

Native American Renaissance has three elements:
Reclamation of heritage through literary expression;
Discovery and reevaluation of early texts by Native American authors; and
Renewed interest in customary tribal artistic expression (i.e. mythology, ceremonialism, ritual, and the oral tradition of narrative transmission).
Слайд 13

The characteristics of Renaissance writers are as follows: devotion to a

The characteristics of Renaissance writers are as follows:
devotion to a

sacred landscape;
a homing-in plot, often associated with a protagonist's return to the reservation;
the treatment of a mixed-blood protagonist's dilemma between two worlds as a central theme;
were often concerned with writing for a non-Native audience;
Слайд 14

The renaissance in Native American culture began almost concurrently with the

The renaissance in Native American culture began almost concurrently with the

publication of Momaday’s House Made of Dawn and The Way to Rainy Mountain.
Rainy Mountain is a highly poetic memoir and brief history of the Kiowa.

N. Scott Momaday

Слайд 15

was born in Lawton, Oklahoma on February 27, 1934, and grew

was born in Lawton, Oklahoma on February 27, 1934, and grew

up in close contact with the Navajo and San Carlos Apache communities.
received his BA in political science in 1958 from the University of New Mexico.
at Stanford University he received his MA and PhD in English
worked as the Professor in the Universities.
his novel House Made of Dawn led to the breakthrough of Native American literature into the American mainstream after the novel was awarded the Pulitzer Prize for Fiction in 1969.
Слайд 16

Слайд 17

wrote principally about the Blackfeet of his native Montana. as did

wrote principally about the Blackfeet of his native Montana.
as did

Momaday, Welch published poetry before he turned to fiction, although his first collection of poems,
Riding the Earth Boy 40 (1975), came out a year after his first novel, Winter in the Blood.

James Welch an Indian Who Wrote About the Plains

Слайд 18

grew up on an Indian reservation, determined to become a writer

 grew up on an Indian reservation, determined to become a writer

and put into words the stresses on a people left out of the American dream. 
won wide notice, especially in Europe, with fiction based on real life, including ''Winter in the Blood'‘ and ''The Death of Jim Loney‘, ''Fools Crow‘’, and ''The Indian Lawyer‘’.
Having composed some poetry in high school, Mr. Welch studied English literature at the University of Montana in Missoula
His first book of poetry, ''Riding the Earthboy Forty‘’, dealt with the landscape, people and history he grew up with. 
The author described himself as both an ''Indian writer'' and ''an Indian who writes,''
Слайд 19

The title of the book refers to the forty acres of

The title of the book refers to the forty acres of

Montana land Welch’s father once leased from a Blackfeet family called Earthboy.
This land and its surroundings shaped the writer’s worldview as a youth, its rawness resonates in the vitality of his elegant poetry, and his verse shows a great awareness of a moment in time, of a place in nature, and of the human being in context.
Слайд 20

has chronicled the fortunes of the Indians as they trade the

has chronicled the fortunes of the Indians as they trade the

miseries of poverty on the reservation for the anxieties of the urban business world.
the leading Indian poets today are probably Simon Ortiz (Acoma, 1941– ) and Joy Harjo (Muscogee Creek, 1951– ).

Contemporary Indian fiction

Слайд 21

Ortiz writes intensely political poetry, presenting a running critique of American

Ortiz writes intensely political poetry, presenting a running critique of American

history, primarily focusing on Indian-white relations.
His short poems are history lessons from the underside of the American experience, Ortiz’s verse is sharp, but not bitter; ultimately he strikes a hopeful tone.

Simon Ortiz

Слайд 22

Despite the grim events of the 19th century, Ortiz does not

Despite the grim events of the 19th century, Ortiz does not

think of whites as the other: He very much considers himself an American. As he puts it in an epigraph to from Sand Creek (1981):
This America
has been a burden
of steel and mad
death,
but look now,
there are flowers
and new grass
and a spring wind
rising
from Sand Creek.