Античная Греция

Август 23, 2022

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Античная Греция

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2. Everyday Life in Ancient Greece Повседневная жизнь грека на амфоре
3. Household Family Scene, 440–430 B.C. Detail
4. Cup with Mother and Baby, about 460 B.C.
5. Detail: workout to the aulos Cup with Youthful Athletes Training, 515–510 B.C.
6. Greek, made in Tanagra, Boiotia, 500–475 B.C. http://www.getty.edu/art/exhibitions/coming_of_age/school.html
7. Hydrie with black figures Scene of hunting.
9. Statuette of a Woman Holding Babies, 300–275 B.C.
10. Cup with a Boy Dedicating the Mouth Strap for His Wind Instrument
11. Bronze and Glass Knucklebones
12. http://www.britishmuseum.org/explore/families_and_children/museum_explorer/ancient_greece/daily_life/a_party.aspx
13. The drinking party, or 'symposium', painted on this Greek cup helps us find out what these
14. A doctor and patient Date: 2nd century AD
15. Oinochoe-chous (jug) depicting women perfuming clothes, ca. 420–410 b.c.
16. The scene on this red-figured oinochoe depicts two women in festive dress perfuming garments stacked on
17. Amphora, ca. 530 b.c.
18. Lekythos, ca. 550–530 b.c. On this small lekythos (oil flask), the Amasis Painter has depicted a
19. Funerary plaque, ca. 520–510 b.c.
20. Kylix, ca. 500 b.c.
21. The interior of this red-figure kylix (shallow drinking cup) presents an elegant image of a young
22. Attributed to the Painter of Munich 2660: Kylix (17.230.10) | Heilbrunn Timeline of Art History |
23. Lebes gamikos (wedding vase), ca. 430–420 b.c.
24. Terracotta hydria (water jar), ca. 510–500 b.c.
25. Among the many changes brought to the city of Athens by the ruler Peisistratos and his
26. Lekythos, ca. 550 b.c.
27. The scene that decorates the body of this small lekythos (oil flask) is our earliest and
28. A GREEK RED FIGURE OINOCHOE, c. 4th century BC. Painted with the head of a young
29. A GREEK RED FIGURE OWL CUP, c. 4th cent BC.
30. Вы узнали, кто это?
31. ЕГО подделывали или доставали, порой, с 30 –метровой глубины. Что именно? Жемчуг
33. The vessel depicting an Olympic athlete holding the jumping weights (halteres) in preparation for the long
34. Museum of Fine Arts, Boston. Atleta amb disc
35. Pescador Какие рыболовецкие принадлежности использовались?
36. Что здесь, по вашему мнению, происходит?
37. Это аттическая сапожная мастерская, в которой изготавливалась мягкая обувь. Мастер снимает мерку с ноги девушки, на
38. Cup in the shape of a donkey's head.
39. One side shows a kitharode (a singer who accompanies himself on the kithara, a large concert
40. Oil flask (lekythos) with poet reciting with a lyre. Museum of Fine Arts, Boston.
41. Pseudo-Panathenaic vase (amphora) depicting a pankration match, Archaic Period, about 530–520 B.C.
42. http://teegeeessays.blogspot.com/ Berlin, St. Museen, Tomb group of fancy vases.
43. Каково назначение этих сосудов? Louvre. A "powder pyxis"
44. Каков размер амфоры? Что хранили в амфорах?
45. Какому событию посвящена роспись?
46. Погребальной церемонии
48. На этой амфоре два известных мифа. Каких?
50. Медуза Горгона и ослепление Одиссеем Циклопа
51. Что хранили в пифосах?
52. Минойские пифосы
53. STORE ROOMS OR MAGAZINES, MINOAN PALACE RUINS, KNOSSOS, CRETE, GREECE
55. Скачать презентацию

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Everyday Life in Ancient Greece
Повседневная жизнь грека на амфоре

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Household Family Scene, 440–430 B.C.
Detail

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Cup with Mother and Baby, about 460 B.C.

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Detail: workout to the aulos
Cup with Youthful Athletes Training, 515–510

B.C.

Слайд 6

Greek, made in Tanagra, Boiotia, 500–475 B.C.
http://www.getty.edu/art/exhibitions/coming_of_age/school.html

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Hydrie with black figures Scene of hunting.

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Слайд 9

Statuette of a Woman Holding Babies, 300–275 B.C.

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Cup with a Boy Dedicating the Mouth Strap for His Wind

Instrument

Слайд 11

Bronze and Glass Knucklebones

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http://www.britishmuseum.org/explore/families_and_children/museum_explorer/ancient_greece/daily_life/a_party.aspx

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The drinking party, or 'symposium', painted on this Greek cup helps

us find out what these parties were like.

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A doctor and patient Date: 2nd century AD

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Oinochoe-chous (jug) depicting women perfuming clothes, ca. 420–410 b.c.

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The scene on this red-figured oinochoe depicts two women in festive

dress perfuming garments stacked on the hanging stool between them. Smoke rises from a pile of wood shavings and twigs on the ground below. The woman at left carefully empties an oinochoe onto the fire, while the other woman, surveying the scene, gestures toward her. At the far right is a stately chair, called a klismos, piled with more clothes. At the far left stands a boy wearing a himation and a wreath of ivy around his head.

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Amphora, ca. 530 b.c.

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Lekythos, ca. 550–530 b.c.
On this small lekythos (oil flask), the

Amasis Painter has depicted a scene of women engaged in various stages of wool working.

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Funerary plaque, ca. 520–510 b.c.

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Kylix, ca. 500 b.c.

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The interior of this red-figure kylix (shallow drinking cup) presents an

elegant image of a young woman bending over a shallow basin of water. She is gracefully attired with a patterned scarf around her head and a full-length pleated chiton that shows off the painter's skill in drawing and handling dilute glaze. At her feet is a bail amphora in which water was carried from the fountain house. The wineskin that hangs on the wall behind her and the skyphos (deep drinking cup) that hangs in front of her allude to the symposium, the social gathering where this cup would have been used.

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Attributed to the Painter of Munich 2660: Kylix (17.230.10) | Heilbrunn

Timeline of Art History | The Metropolitan Museum of Art

Kylix, ca. 460 b.c.

:schoolboys

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Lebes gamikos (wedding vase), ca. 430–420 b.c.

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Terracotta hydria (water jar), ca. 510–500 b.c.

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Among the many changes brought to the city of Athens by

the ruler Peisistratos and his sons was an improved water system and new public fountains. During the latter part of the sixth century B.C., scenes of women at a fountain house became very popular on black-figure vases. Here women gather to chat and to fill their hydriai.

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Lekythos, ca. 550 b.c.

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The scene that decorates the body of this small lekythos (oil

flask) is our earliest and most complete representation of an Attic wedding. The bridal couple and the best man, the parochos, are seated in the foremost cart, which is drawn by two donkeys, distinguishable by their white muzzles and stringy tails. Four guests, all men, follow in a second cart drawn by two mules. Beside each team, two women and a man walk in the procession, with the women on the left and the man on the right. The lead woman holds two torches, which indicates that the wedding procession, as was the tradition, took place at night. The bride holds a wreath and pulls her veil forward in a gesture associated with marriage in Greek art. Her bridegroom sits next to her, holding the reigns; he has a beard and must be much older than the bride, as was the custom in ancient Greece.

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