Course paper. Colour psychology

Июль 24, 2022

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Культурология
Course paper. Colour psychology

Содержание

2. Sin City. Frank Miller & Robert Rodriguez, 2005
3. For a Few Dollars More. Sergio Leone’s ‘spaghetti western’, 1965
4. TITLE PAGE 1. The TITLE PAGE contains the folllowing information: - The name of the course,
5. COMPONENT PARTS 2. The INTRODUCTION explains: - The reasons of the selection of the image or
6. OBJECTS OF INVESTIGATION The images should be selected from the films – fragments from new or
7. https://www.youtube.com/watch?v=XAnNvnViJpo ↑ Gone With the Wind, 1939
8. The colour expression of an image or film should be interpreted and visually demonstrated organizing of
9. Who Framed Roger Rabbit. Robert Zemeckis, 1988
10. The structure of colours should be investigated in the following directions: 1. Applying the criteria of
11. Marie Antoinette. 2006
12. The colours of an image should be analyzed as the perceived optical signal – if the
13. Antonioni. Red Desert, 1964
14. Antonioni. Red Desert, 1964
15. Luchino Visconti. L'Innocente, 1976
16. CONCLUSIONS The CONCLUSION is a summary of a research containing: - The evaluation of the methods
17. RESOURCES 6. The BIBLIOGRAPHY section contains an information on the textual and other resources used in
18. TECHNICAL INFORMATION The size of the text font is 12 points, and 14 points for the
19. SUBMISSION AND PRESENTATION It is suggested to send the electronic draft of the course paper one
20. PRESENTATION The presentation (a summary or essence of a course paper) consists of: - The title
22. Скачать презентацию

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Sin City. Frank Miller & Robert Rodriguez, 2005

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For a Few Dollars More. Sergio Leone’s ‘spaghetti western’, 1965

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TITLE PAGE
1. The TITLE PAGE contains the folllowing information:
- The name of the

course,
- The name&surname of the student,
The name of the study programme
and the year of studies,
- The name of the teacher,
- The date,
- Student’s signature.

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COMPONENT PARTS
2. The INTRODUCTION explains:
- The reasons of the selection of the image

or film - personal interests, intrigue, professional survey, etc.
- The basic information about the theme.
3. The BODY TEXT:
- Explores the object of visual investigation in the historical, iconographical and factographical aspects;
- Analytically explains the process of work-out;
- Provides arguments on the observations and clarify the solutions.
4. The IMAGES are the visual material used for the research.

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OBJECTS OF INVESTIGATION
The images should be selected from the films –

fragments from new or classical, cartoons, serials, adverts, etc.

↑ Sin City, 2005

← Gone With the Wind.
David O.Selznik, 1939

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https://www.youtube.com/watch?v=XAnNvnViJpo
↑ Gone With the Wind, 1939

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The colour expression of an image or film should be interpreted

and visually demonstrated organizing of colours in the ‘colour aquarium.’

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Who Framed Roger Rabbit.
Robert Zemeckis, 1988

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The structure of colours should be investigated in the following directions:
1. Applying

the criteria of colour evaluation:
- the spectral origin,
- saturation,
- tonal value.
2. Defining the colour palettes.
3. Explaining colour expression on both symbolic and formal aspects.

Marie Antoinette.
Sofia Coppola,
2006

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Marie Antoinette. 2006

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The colours of an image should be analyzed as the perceived

optical signal – if the dominating colour property seems grey the colour should be included in the column of grey modulations.
The basic tone of the colour grid is 50% neutral grey to estimate colour properties in relatively objective way.

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Antonioni.
Red Desert,
1964

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Antonioni.
Red Desert, 1964

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Luchino Visconti.
L'Innocente, 1976

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CONCLUSIONS
The CONCLUSION is a summary of a research containing:
- The evaluation of

the methods applied during the research,
- The conformity of the research to the initial concept,
- The formulated conclusions.

Who Framed Roger Rabbit. 1988

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RESOURCES
6. The BIBLIOGRAPHY section contains an information on the textual and other

resources used in the course paper: the name of author, the name of the book, the publisher’s name, the year of publishing:
Main bibilographic resources
1. Arnheim, R. The Power of the Center. University of California Press, 1988
2. Gombrich, E.H. Art and Illusion. Phaidon Press Ltd., 2002
Internet resources
1. http://www.artcyclopedia.org
2. http://www.wga.hu

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TECHNICAL INFORMATION
The size of the text font is 12 points, and

14 points for the titles,
Suggested fonts are Times New Roman or Calibri.
Interval between the lines is at 1,5.
Indent from the left is 30mm, 25mm from the right, 20mm from the top, 25mm from the bottom.
The pages of the course paper should be numbered.
The corse paper should be printed, signed and it’s pages fastened together.

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SUBMISSION AND PRESENTATION
It is suggested to send the electronic draft of

the course paper one week before the examination day to the following address :
atis.kampars@riseba.lv
On the examination day the course paper should be:
1. Submitted in the printed form.
2. Performed as a presentation.

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PRESENTATION
The presentation (a summary or essence of a course paper) consists

of:
- The title slide with the name of course paper, name/surname of the student, the name of the study programme.
- The explanation about the motivation and aim of the research,
- The activities performed during the research,
- The images as a material complementing the research.
- The conclusion.