Содержание
- 2. The Master and Margarita is a novel by Mikhail Bulgakov, woven around the premise of a
- 3. The novel alternates between two settings. The first is 1930s Moscow, which is visited by Satan
- 4. Major episodes in the first part of the novel include a satirical portrait of the Massolit
- 5. The Master An author who had written a novel about the meeting of Pontius Pilate and
- 6. Margarita The Master's lover. Trapped in a passionless marriage; devoted herself to The Master, whom she
- 7. Woland A "foreign professor" who is "in Moscow to present a performance of 'black magic' and
- 8. Ultimately, the novel deals with the interplay of good and evil, innocence and guilt, courage and
- 10. Скачать презентацию
Слайд 2
The Master and Margarita is a novel by Mikhail Bulgakov, woven around the premise
The Master and Margarita is a novel by Mikhail Bulgakov, woven around the premise
of a visit by the Devil to the fervently atheistic Soviet Union. Many critics consider the book to be one of the greatest novels of the 20th century, and one of the foremost Soviet satires, directed against a suffocatingly bureaucratic social order.
Слайд 3
The novel alternates between two settings. The first is 1930s Moscow,
The novel alternates between two settings. The first is 1930s Moscow,
which is visited by Satan in the guise of "Professor“ Voland , who arrives with a retinue that includes the valet Koroviev, black cat Behemoth, hitman Azazello, and the witch Hella. The second setting is the Jerusalem of Pontius Pilate. It concerns Pontius Pilate's trial of Yeshua Ha-Nozri, his recognition of an affinity with and spiritual need for Yeshua, and his reluctant but resigned submission to Yeshua's execution.
The Plot
Слайд 4
Major episodes in the first part of the novel include a
Major episodes in the first part of the novel include a
satirical portrait of the Massolit and their Griboedov house; Satan's magic show at the Variety Theatre, satirizing the vanity, greed and gullibility of the new rich; and Woland and his retinue capturing the late Berlioz's apartment for their own use.
Part two of the novel introduces Margarita, the Master's mistress, who refuses to despair of her lover or his work. Then she becoming a witch with supernatural powers.
Part two of the novel introduces Margarita, the Master's mistress, who refuses to despair of her lover or his work. Then she becoming a witch with supernatural powers.
The Plot
Слайд 5
The Master
An author who had written a novel about the
The Master
An author who had written a novel about the
meeting of Pontius Pilate and Yeshua Ha-Nozri. Put away in a psychiatric clinic, where Bezdomny meets him. Very little is known about this character's past other than his belief that his life had no meaning until he met Margarita.
Major characters in The Master and Margarita
Слайд 6
Margarita
The Master's lover. Trapped in a passionless marriage; devoted herself to
Margarita
The Master's lover. Trapped in a passionless marriage; devoted herself to
The Master, whom she believes is dead. Does not appear until the second half of the novel, where she serves as the hostess of Satan's Grand Ball on Walpurgis Night.
The character was also inspired by Bulgakov's last two wives, the first of whom loved action and was physically daring, while the last was devoted to his work in the same way as Margarita is to the Master.
The character was also inspired by Bulgakov's last two wives, the first of whom loved action and was physically daring, while the last was devoted to his work in the same way as Margarita is to the Master.
Major characters in The Master and Margarita
Слайд 7
Woland
A "foreign professor" who is "in Moscow to present a performance
Woland
A "foreign professor" who is "in Moscow to present a performance
of 'black magic' and then expose its machinations". The exposure (as one could guess) never occurs, instead Woland exposes the greed and bourgeois behaviour of the spectators themselves. Satan in disguise.
Major characters in The Master and Margarita
Слайд 8
Ultimately, the novel deals with the interplay of good and evil,
Ultimately, the novel deals with the interplay of good and evil,
innocence and guilt, courage and cowardice, exploring such issues as the responsibility towards truth when authority would deny it, and the freedom of the spirit in an unfree world. Love and sensuality are also dominant themes in the novel.
The novel is a riot of sensual impressions, but the emptiness of sensual gratification without love is emphatically illustrated in the satirical passages.
The novel is a riot of sensual impressions, but the emptiness of sensual gratification without love is emphatically illustrated in the satirical passages.
The Master and Margarita
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