Matte Painting: Art in Film. Special Effects

Август 6, 2022

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Matte Painting: Art in Film. Special Effects

Содержание

2. The Art of Special Effects Picture control= art Manipulation of image George Melies Use of glass
3. Use of Glass Panel: 3D and 2D combined with perspective Early 1900’s Required painting with emphasis
4. Hitchcock’s Paradine Case: B/W Matte Paintings Limited to Zoom or Still shot
5. More Paradine Case...
6. Latent Image Matte Painting A photographic technique of combining two scenes Runs film through twice, once
7. Latent Image, cont. Pros Original stock quality (highest) Matching of hues easy Cons Hard to estimate
8. Rear Projection Movie projector placed behind glass with painting Window covered with frosted plastic Camera films
9. Rear Projection, cont. Pros Easiest Cons Loss of image quality Least sharp image of all techniques
10. Front Projection Both camera and projector on same side of glass panel. Scene projected through glass
11. Front Projection (cont) Pros Sharper image than rear (with highly reflective screen) Well regulated perspective from
12. Digital Painting Advantages Ability to move camera No more limitations of pan Ex. In Empire Strikes
13. Truman Show: Digital Matte goes 3D A “camera”, like those seen in our graphics demos is
14. Titanic: Matte and more Digital Matte Clouds Digital Animation Water (with reflections) Model Boat Animated People
15. In Conclusion Many of the same principles used in Renaissance art are at work in the
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Слайд 2

The Art of Special Effects
Picture control= art
Manipulation of image
George Melies
Use of

glass panels similar to Brunelleschi’s panels

Слайд 3

Use of Glass Panel: 3D and 2D combined with perspective
Early 1900’s
Required

painting with emphasis on realism (a Renaissance revival?)
Techniques vary: rear projection, front projection, Latent image projection

Images from Hitchcock’s The Paradine Case

Слайд 4

Hitchcock’s Paradine Case: B/W Matte Paintings
Limited to Zoom or Still shot

Слайд 5

More Paradine Case...

Слайд 6

Latent Image Matte Painting
A photographic technique of combining two scenes
Runs film

through twice, once with a portion blacked out and unexposed
Used now with stills and paintings

Notice the use of bridal veil material on the right to create diffusion and a sense of atmosphere in this filming for An Ewok Adventure

Слайд 7

Latent Image, cont.
Pros
Original stock quality (highest)
Matching of hues easy
Cons
Hard to estimate

need footage with live action
Mistakes are expensive

Latent image projection used with Matte Painting in Return of the Jedi

Слайд 8

Rear Projection
Movie projector placed behind glass with painting
Window covered with frosted

plastic
Camera films from front

Слайд 9

Rear Projection, cont.
Pros
Easiest
Cons
Loss of image quality
Least sharp image of all techniques
Composite

of Completed Rear Projection from Return of the Jedi

Слайд 10

Front Projection
Both camera and projector on same side of glass panel.
Scene

projected through glass backed with Scotchlite (highly reflective)
A partially reflecting mirror is placed between camera and projector at 45 degree angle (to put both in exact same perspective)

Слайд 11

Front Projection (cont)
Pros
Sharper image than rear (with highly reflective screen)
Well regulated

perspective from exact same point
Cons
complicated

A woman paints a matte on glass for Temple of Doom.

Слайд 12

Digital Painting
Advantages
Ability to move camera
No more limitations of pan
Ex. In

Empire Strikes Back
Reflections and moving animations can be combined easily
Digital editing is cost efficient and easier

Слайд 13

Truman Show: Digital Matte goes 3D
A “camera”, like those seen in our

graphics demos is tracked with the image in the exact motion and perspective of the actual camera.

Слайд 14

Titanic: Matte and more
Digital Matte Clouds
Digital Animation Water (with reflections)
Model Boat
Animated

People
Digital Animation smoke

Слайд 15

In Conclusion
Many of the same principles used in Renaissance art are

at work in the creation of Special Effects
The impact of computer graphics is revolutionizing the way movies are made, in bringing a realism of perspective to movement
The use of matte paintings and digital matte paintings is still a question of aethetics. When constructed via computer, does the art disappear?

Matte Painting: Art in Film. Special Effects

Содержание

The Art of Special EffectsPicture control= artManipulation of imageGeorge MeliesUse of

Use of Glass Panel: 3D and 2D combined with perspectiveEarly 1900’sRequired

Hitchcock’s Paradine Case: B/W Matte PaintingsLimited to Zoom or Still shot

More Paradine Case...

Latent Image Matte PaintingA photographic technique of combining two scenesRuns film

Latent Image, cont.ProsOriginal stock quality (highest)Matching of hues easyConsHard to estimate

Rear ProjectionMovie projector placed behind glass with paintingWindow covered with frosted

Rear Projection, cont.ProsEasiestConsLoss of image qualityLeast sharp image of all techniquesComposite

Front ProjectionBoth camera and projector on same side of glass panel.Scene

Front Projection (cont) ProsSharper image than rear (with highly reflective screen)Well regulated

Digital PaintingAdvantagesAbility to move cameraNo more limitations of pan Ex. In

Truman Show: Digital Matte goes 3DA “camera”, like those seen in our

Titanic: Matte and moreDigital Matte CloudsDigital Animation Water (with reflections)Model BoatAnimated

In Conclusion Many of the same principles used in Renaissance art are

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