Создание периодических телесериалов contemporary: 1960-е годы глазами постмодерна

Июль 29, 2022

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Создание периодических телесериалов contemporary: 1960-е годы глазами постмодерна

Содержание

2. Research questions: 1. What makes periodic TV series relevant and appealing to the contemporary audience of
3. Theoretical background: Constructing cultural memory: Astrid Erll “Literature, Film and the Mediality of Cultural Memory” Using
4. Choosing the medium: serialization of the past Already a contemporary take Provides space for historical complexity
5. Creating relevant cultural memory “Historical accuracy is not one of the concerns of such “memory-making” novels
6. Modes of collective memory: Intermediality -experiential Represent past as recent, lived-through experience POV of narration (
7. -mythical Intertextuality and connection to present, creating a metaphor (?) Mad Men- 9/11 “The Falling Man”
8. -Antagonistic Help to maintain one version or the past and reject another Genre Drama: using intermediality
9. -reflexive The effect of contemporary Mad Men: in the years of crisis and change, more accurate
10. Remediation ? Nostalgic appeal “The Falling Man” as icon of “9/11” – crisis--- character (title sequence)
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Research questions:
1. What makes periodic TV series relevant and appealing to

the contemporary audience of the time?
2. How drama and comedy differ in representation of cultural memory?

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Theoretical background:
Constructing cultural memory:
Astrid Erll “Literature, Film and the Mediality of

Cultural Memory”
Using concept of remediation:
Jay David Bolter “Remediation and the Desire for immediacy”
Transmediality for the audience:
Henry Jenkins: “Transmedia storytelling”

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Choosing the medium: serialization of the past
Already a contemporary take
Provides space

for historical complexity
Opportunity to elevate story through personalization
“As we are witnesses of the micro-perspective on 1960s history, we are asked, as viewers, to draw conclusions about the macro-level production of history by historians, textbooks, and a conservative culture.”
Experiential narrative techniques (nonlinear storytelling)
More accessible for contemporary audience

“Whenever the past is represented, the choice of media and forms has an effect on the kind of memory that is created…” (Astrid Erll)

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Creating relevant cultural memory
“Historical accuracy is not one of the concerns

of such “memory-making” novels and movies; instead they cater to the public with what is variously termed “authenticity” or “truthfulness.” They create images of the past which resonate with cultural memory.

Two differences to explore:
-POV of creator and historical time
-Drama and Comedy genre

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Modes of collective memory:
Intermediality
-experiential
Represent past as recent, lived-through experience
POV of

narration ( here: from production and main characters)
Protagonist: Man And Woman (as well as creator- which shows the focus and effects on memory- who’s going to be watching and what are they going to remember)

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-mythical
Intertextuality and connection to present, creating a metaphor (?)
Mad Men- 9/11

“The Falling Man”

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-Antagonistic
Help to maintain one version or the past and reject another
Genre

Drama:
using intermediality and references (intertextuality) to dramatize the story and create an emotional connection between historical events and characters
Focusing on deeper subjects, historical events
More drawn to historical accuracy
Comedy:
Using intertextuality for comedic moments
Also accurate, but doesn’t mention heavy subjects as often or stirs them into “light” conversation (more reflective, more from our POV)

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-reflexive
The effect of contemporary
Mad Men: in the years of crisis and

change, more accurate visuals and colors
Marvelous Mrs Maisel: years of “Mee too”, feminism etc. Visuals are heightened, entertainment and mew technology
TV and Web series, aesthetics of the time and cinematography (visuals)

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Remediation ?
Nostalgic appeal
“The Falling Man” as icon of “9/11” –

crisis--- character (title sequence)
What remediation helps to achieve on contemporary level

Grusin- an older medium is highlighted and re-presented in digital form without apparent irony of critique

Television and technology
-Television and depiction of history for mirroring character’s feelings and comparing them
-Television and depiction of comedy for realizations and revelations

Создание периодических телесериалов contemporary: 1960-е годы глазами постмодерна

Содержание

Research questions:1. What makes periodic TV series relevant and appealing to

Theoretical background:Constructing cultural memory:Astrid Erll “Literature, Film and the Mediality of

Choosing the medium: serialization of the pastAlready a contemporary takeProvides space

Creating relevant cultural memory“Historical accuracy is not one of the concerns

Modes of collective memory:Intermediality -experientialRepresent past as recent, lived-through experiencePOV of

-mythicalIntertextuality and connection to present, creating a metaphor (?)Mad Men- 9/11

-AntagonisticHelp to maintain one version or the past and reject anotherGenre

-reflexiveThe effect of contemporaryMad Men: in the years of crisis and

Remediation ? Nostalgic appeal“The Falling Man” as icon of “9/11” –

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