Claude Monet Suharskaya Olya 10-B

Август 31, 2022

Главная
Английский язык
Claude Monet Suharskaya Olya 10-B

Содержание

2. Oscar-Claude Monet ( 14 November 1840 – 5 December 1926) was a founder of French Impressionist
4. The first Impressionist exhibition was held in 1874 at 35 boulevard des Capucines, Paris, from 15
5. Paintings 1858-1870
6. View at Rouelles, Le Havre 1858,
7. Mouth of the Seine at Honfleur, 1865,
8. Women in a Garden, 1866–1867,
9. Woman in a Garden, 1867,
10. Jardin à Sainte-Adresse, 1867,
11. The Luncheon, 1868
12. La Grenouillére 1869
13. The Magpie
14. Le port de Trouville (Breakwater at Trouville, Low Tide)
15. La plage de Trouville, 1870
16. Death of Camille In 1876, Camille Monet became ill with tuberculosis. Camille Monet was diagnosed with
17. John Berger describes the work as "a blizzard of white, grey, purplish paint ... a terrible
18. Vétheuile After several difficult months following the death of Camille, Monet began to create some of
19. Paintings 1872-1879 Jean Monet on his hobby horse,1872
20. Camille Monet on a Garden Bench,1873
21. The Artist's house at Argenteuil, 1873
22. Coquelicots, La promenade (Poppies), 1873
23. Argenteuil, 1874
24. The Studio Boat, 1874
25. Flowers on the riverbank at Argenteuil, 1877
26. Vétheuil in the Fog, 1879
27. Giverny At the beginning of May 1883, Monet and his large family rented a house and
28. Monet purchased additional land with a water meadow. In 1893 he began a vast landscaping project
29. Monet's garden
30. In the Garden, 1895
31. Agapanthus, between 1914-1926
32. The rose arches, Giverny, 1913
33. Water Lilies and the Japanese bridge
34. Water Lilies, 1906
35. Water Lilies
36. Water Lilies
37. Water Lilies
38. Death Monet died of lung cancer on 5 December 1926 at the age of 86 and
39. Monet's late paintings Water Lilies and Reflections of a Willow
40. Water-Lily Pond and Weeping Willow
41. Weeping Willow, 1918–1919
42. Weeping Willow, 1918–1919
43. House Among the Roses
44. The Rose Walk, Giverny
45. The Japanese Footbridge
46. The Garden at Giverny
47. Monet's methods In 1877 a series of paintings at St-Lazare Station had Monet looking at smoke
48. Series of paintings La Gare Saint-Lazare, 1877
49. Arrival of the Normandy Train, Gare Saint-Lazare, 1877
50. The Cliffs at Etretat, 1885
51. Sailboats behind the needle at Eretat, 1885
52. Two paintings from a series of grainstacks
53. Grainstacks, end of day, Autumn
54. Poplars (Autumn)
55. Poplars at the River Epte
56. The Seine Near Giverny
57. Morning on the Seine, 1898
58. Charing Cross Bridge
59. Charing Cross Bridge
60. London, Houses of Parliament. The Sun Shining through the Fog
61. Two paintings from a series of The Houses of Parliament, London
62. Grand Canal, Venice
64. Скачать презентацию

Слайд 2

Oscar-Claude Monet ( 14 November 1840 – 5 December 1926) was a founder of French Impressionist painting,

and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant(Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.

Слайд 3

Слайд 4

The first Impressionist exhibition was held in 1874 at 35 boulevard

des Capucines, Paris, from 15 April to 15 May. The primary purpose of the participants was not so much to promote a new style, but to free themselves from the constraints of the Salon de Paris. The exhibition, open to anyone prepared to pay 60 francs, gave artists the opportunity to show their work without the interference of a jury.In addition to Impression: Sunrise (pictured above) Monet presented four oil paintings and seven pastels. Among the paintings he displayed was The Luncheon (1868), which features Camille Doncieux and Jean Monet, and which had been rejected by the Paris Salon of 1870. Also in this exhibition was a painting titled Boulevard des Capucines, a painting of the boulevard done from the photographer Nadar's apartment at no. 35. Monet painted the subject twice and it is uncertain which of the two pictures, that now in the Pushkin Museum in Moscow, or that in the Nelson-Atkins Museum of Art in Kansas City was the painting that appeared in the groundbreaking 1874 exhibition, though more recently the Moscow picture has been favoured.

Слайд 5

Paintings 1858-1870

Слайд 6

View at Rouelles, Le Havre 1858,

Слайд 7

Mouth of the Seine at Honfleur, 1865,

Слайд 8

Women in a Garden, 1866–1867,

Слайд 9

Woman in a Garden, 1867,

Слайд 10

Jardin à Sainte-Adresse, 1867,

Слайд 11

The Luncheon, 1868

Слайд 12

La Grenouillére 1869

Слайд 13

The Magpie

Слайд 14

Le port de Trouville (Breakwater at Trouville, Low Tide)

Слайд 15

La plage de Trouville, 1870

Слайд 16

Death of Camille
In 1876, Camille Monet became ill with tuberculosis. Camille Monet

was diagnosed with uterine cancer, and she died on 5 September 1879 at the age of thirty-two. Monet made a study in oils of his dead wife. Many years later, Monet confessed to his friend Georges Clemenceau that his need to analyse colours was both the joy and torment of his life. He explained,
"I one day found myself looking at my beloved wife's dead face and just systematically noting the colours according to an automatic reflex!"

Слайд 17

John Berger describes the work as "a blizzard of white, grey,

purplish paint ... a terrible blizzard of loss which will forever efface her features. In fact there can be very few death-bed paintings which have been so intensely felt or subjectively expressive."

Слайд 18

Vétheuile
After several difficult months following the death of Camille, Monet began

to create some of his best paintings of the 19th century. During the early 1880s, Monet painted several groups of landscapes and seascapes in what he considered to be campaigns to document the French countryside. These began to evolve into series of pictures in which he documented the same scene many times in order to capture the changing of light and the passing of the seasons.

Слайд 19

Paintings 1872-1879
Jean Monet on his hobby horse,1872

Слайд 20

Camille Monet on a Garden Bench,1873

Слайд 21

The Artist's house at Argenteuil, 1873

Слайд 22

Coquelicots, La promenade (Poppies), 1873

Слайд 23

Argenteuil, 1874

Слайд 24

The Studio Boat, 1874

Слайд 25

Flowers on the riverbank at Argenteuil, 1877

Слайд 26

Vétheuil in the Fog, 1879

Слайд 27

Giverny
At the beginning of May 1883, Monet and his large family

rented a house and 2 acres (8,100 m2) from a local landowner. Monet wrote daily instructions to his gardener, precise designs and layouts for plantings, and invoices for his floral purchases and his collection of botany books. As Monet's wealth grew, his garden evolved. He remained its architect, even after he hired seven gardeners.

Слайд 28

Monet purchased additional land with a water meadow. In 1893 he

began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. White water lilies local to France were planted along with imported cultivars from South America and Egypt, resulting in a range of colours including yellow, blue and white lilies that turned pink with age. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later on the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life. This scenery, with its alternating light and mirror-like reflections, became an integral part of his work. By the mid-1910s Monet had achieved:
"a completely new, fluid, and somewhat audacious style of painting in which the water-lily pond became the point of departure for an almost abstract art." (Gary Tinterow)

Слайд 29

Monet's garden

Слайд 30

In the Garden, 1895

Слайд 31

Agapanthus, between 1914-1926

Слайд 32

The rose arches, Giverny, 1913

Слайд 33

Water Lilies and the Japanese bridge

Слайд 34

Water Lilies, 1906

Слайд 35

Water Lilies

Слайд 36

Water Lilies

Слайд 37

Water Lilies

Слайд 38

Death
Monet died of lung cancer on 5 December 1926 at the

age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony.
His home, garden, and waterlily pond were bequeathed by his son Michel, his only heir, to the French Academy of Fine Arts (part of the Institut de France) in 1966. Through the Fondation Claude Monet, the house and gardens were opened for visits in 1980, following restoration. In addition to souvenirs of Monet and other objects of his life, the house contains his collection of Japanese woodcut prints. The house and garden, along with the Museum of Impressionism Giverny, are major attractions in Giverny, which hosts tourists from all over the world.

Слайд 39

Monet's late paintings
Water Lilies and Reflections of a Willow

Слайд 40

Water-Lily Pond and Weeping Willow

Слайд 41

Weeping Willow, 1918–1919

Слайд 42

Weeping Willow, 1918–1919

Слайд 43

House Among the Roses

Слайд 44

The Rose Walk, Giverny

Слайд 45

The Japanese Footbridge

Слайд 46

The Garden at Giverny

Слайд 47

Monet's methods
In 1877 a series of paintings at St-Lazare Station had

Monet looking at smoke and steam and the way that they affected colour and visibility, being sometimes opaque and sometimes translucent. He was to further use this study in the painting of the effects of mist and rain on the landscape.The study of the effects of atmosphere were to evolve into a number of series of paintings in which Monet repeatedly painted the same subject in different lights, at different hours of the day, and through the changes of weather and season. This process began in the 1880s and continued until the end of his life in 1926.
Helen Gardner writes:
"Monet, with a scientific precision, has given us an unparalleled and unexcelled record of the passing of time as seen in the movement of light over identical forms."

Слайд 48