- Главная
- Английский язык
- Albrecht Dürer
Содержание
- 2. Early life Dürer was born on 21 May 1471. After a few years of school, Dürer
- 3. Wanderjahre and marriage After completing his term of apprenticeship, Dürer followed the common German custom of
- 4. First journey to Italy Dürer left for Italy. He made watercolour sketches as he traveled over
- 5. Return to Nuremberg 1495–1505 On his return to Nuremberg in 1495, Dürer opened his own workshop.
- 6. Dürer made large numbers of preparatory drawings, especially for his paintings and engravings, and many survive,
- 7. Second journey to Italy 1505–1507 In Italy, he returned to painting, at first producing a series
- 8. Nuremberg and the masterworks Dürer was back in Nuremberg by mid-1507, and he remained in Germany
- 9. In 1515, he created his woodcut of the Rhinoceros which had arrived in Lisbon from a
- 10. Patronage of Maximilian I From 1512, Maximilian I, became Dürer's major patron. His commissions included The
- 11. Journey to the Netherlands 1520–21 In July 1520 Dürer made his fourth and last major journey,
- 12. Final years in Nuremberg 1521–28 However, one consequence of this shift in emphasis was that during
- 13. Dürer died in Nuremberg at the age of 56. His large house, where his workshop was
- 15. Скачать презентацию
Early life
Dürer was born on 21 May 1471. After a few
Early life
Dürer was born on 21 May 1471. After a few
1471–90
Wanderjahre and marriage
After completing his term of apprenticeship, Dürer followed the
Wanderjahre and marriage
After completing his term of apprenticeship, Dürer followed the
In early 1492 Dürer travelled to Basel. Very soon after his return to Nuremberg, on 7 July 1494, at the age of 23, Dürer was married to Agnes Frey following an arrangement made during his absence. Agnes was the daughter of a prominent brass worker (and amateur harpist) in the city.
The earliest painted
Self-Portrait (1493) Louvre, Paris
1490–94
First journey to Italy
Dürer left for Italy. He made watercolour sketches as he
First journey to Italy
Dürer left for Italy. He made watercolour sketches as he
In Italy, he went to Venice to study its more advanced artistic world. Dürer had learned how to make prints in drypoint and design woodcuts in the German style. Dürer probably also visited Padua and Mantua on this trip.
1494–95
Weiher im Walde (1495)
British Museum, London
Return to Nuremberg
1495–1505
On his return to Nuremberg in 1495, Dürer opened
Return to Nuremberg
1495–1505
On his return to Nuremberg in 1495, Dürer opened
His famous series of sixteen great designs for the Apocalypse are dated 1498, as is his engraving St. Michael Fighting the Dragon.
He was soon producing some spectacular and original images, notably Nemesis (1502), The Sea Monster (1498), and Saint Eustace (ca.1501), with a highly detailed landscape background and animals. He made a number of Madonnas, single religious figures, and small scenes with comic peasant figures. Prints are highly portable and these works made Dürer famous throughout the main artistic centres of Europe within a very few years.
St. Michael
Fighting the Dragon
Dürer made large numbers of preparatory drawings, especially for his paintings
Dürer made large numbers of preparatory drawings, especially for his paintings
Second journey to Italy
1505–1507
In Italy, he returned to painting,
Second journey to Italy
1505–1507
In Italy, he returned to painting,
Other paintings Dürer produced in Venice include The Virgin and Child with the Goldfinch, Christ disputing with the Doctors (supposedly produced in a mere five days), and a number of smaller works.
The Adoration of the Magi
oil on panel (1504-05)
Galleria degli Uffizi, Florence
Nuremberg and the masterworks
Dürer was back in Nuremberg by mid-1507,
Nuremberg and the masterworks
Dürer was back in Nuremberg by mid-1507,
Between 1507 and 1511 Dürer worked on some of his most celebrated paintings: Adam and Eve (1507), The Martyrdom of the Ten Thousand (1508), Virgin with the Iris (1508), the altarpiece Assumption of the Virgin (1509), and Adoration of the Trinity (1511). During this period he also completed two woodcut series, the Great Passion and the Life of the Virgin, both published in 1511 together with a second edition of the Apocalypse series.
Other works from this period include the thirty-seven woodcut subjects of the Little Passion, published first in 1511, and a set of fifteen small engravings on the same theme in 1512. In 1513 and 1514 Dürer created his three most famous engravings: The Knight, Death, and the Devil (1513, probably based on Erasmus's treatise 'Enichiridion militis Christiani'), St. Jerome in his Study, and the much-debated Melencolia I (both 1514).
1507–1520
The Adoration of the Trinity
(1511)
Kunsthistorisches Museum,
Vienna
In 1515, he created his woodcut of the Rhinoceros which had arrived in
In 1515, he created his woodcut of the Rhinoceros which had arrived in
Patronage of Maximilian I
From 1512, Maximilian I, became Dürer's major patron. His
Patronage of Maximilian I
From 1512, Maximilian I, became Dürer's major patron. His
Dürer worked in pen on the marginal images for an edition of the Emperor's printed Prayer-Book; these were quite unknown until facsimiles were published in 1808 as part of the first book published in lithography. Dürer's work on the book was halted for an unknown reason, and the decoration was continued by artists including Lucas Cranach the Elder and Hans Baldung. Dürer also made several portraits of the Emperor, including one shortly before Maximilian's death in 1519.
Portrait of Emperor Maximillian I (1519)
Kunsthistorisches Museum,
Vienna, Austria
Journey to the Netherlands
1520–21
In July 1520 Dürer made his
Journey to the Netherlands
1520–21
In July 1520 Dürer made his
At the request of Christian II of Denmark Dürer went to Brussels to paint the King's portrait.
Having secured his pension, Dürer finally returned home in July 1521, having caught an undetermined illness—perhaps malaria —which afflicted him for the rest of his life, and greatly reduced his rate of work.
Der Hafen von Antwerpen (1520)
Albertina, Vienna
Final years in Nuremberg
1521–28
However, one consequence of this shift in
Final years in Nuremberg
1521–28
However, one consequence of this shift in
Dürer succeeded in producing two books during his lifetime. "The Four Books on Measurement" were published at Nuremberg in 1525 and was the first book for adults on mathematics in German, as well as being cited later by Galileo and Kepler. The other, a work on city fortifications, was published in 1527. "The Four Books on Human Proportion" were published posthumously, shortly after his death in 1528 at the age of fifty-six.
Dürer died in Nuremberg at the age of 56.
His large house,
Dürer died in Nuremberg at the age of 56.
His large house,
Albrecht Dürer's House in Nuremberg