The history of art education in Japan

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During the Edo period (1603-1868) Japan was "closed" to almost all

During the Edo period (1603-1868) Japan was "closed" to almost all

forms of interaction with foreign countries.
Starting from the Meiji Era (1868-1912), western culture began to have a great influence on every sphere of Japanese society, including education.
The concept of "art" did not exist in Japanese culture until the Meiji Era.
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"The Illustrated London Drawing Book" by Robert Scott Burns, 1853

"The Illustrated London Drawing Book" by Robert Scott Burns, 1853

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In 1910 "New Textbook of Drawing" (Shintei Gacho) was edited by

In 1910 "New Textbook of Drawing" (Shintei Gacho) was edited by

Akira Shirahama.
It was the first Japanese art textbook to consider the psychological development of the child.
The book covered both brush and pencil drawings.
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In the Taisho Era (1912-1926) – the so-called "Taisho Democracy" influenced

In the Taisho Era (1912-1926) – the so-called "Taisho Democracy" influenced

many parts of Japanese life including education.
The Free-Drawing Education Movement (Jiyuga Kyouiku Undo) was started by Kanae Yamamoto.

Self-portrait by K. Yamamoto, 1915

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The rural school Yamamoto visited at Tolstoy's home Yasnaya Polyana (pictured)

The rural school Yamamoto visited at Tolstoy's home Yasnaya Polyana (pictured)

inspired him to bring democratic education to Japan.
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K. Yamamoto guiding a group of children sketching as part of

K. Yamamoto guiding a group of children sketching as part of

the Children's Free Drawing movement in Ueda, Nagano
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1919: The first exhibition of children's free painting in Japan; Establishing

1919: The first exhibition of children's free painting in Japan;
Establishing of

Japan Children's Free Drawing Association.
1921: Yamamoto's book "Free Drawing Education" was published.

Quote from K. Yamamoto

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Yamamoto's idea of the importance of freeedom was revived after World

Yamamoto's idea of the importance of freeedom was revived after World

War II.
In 1952 "Society for Creative Aesthetic Education" was established. It urged teachers to change their old opinion of art education.
The leaders of this movement were Sadajiro Kubo (1909-1996) and Tamiji Kitagawa (1894-1989).
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Regarding the seminar of the Society for Aesthetic Education for teachers Kubo stated:

Regarding the seminar of the Society for Aesthetic Education for teachers

Kubo stated:
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Association of Innovating Children's Painting (1959) Plastic Art Education Center (1955)

Association of Innovating Children's Painting (1959)
Plastic Art Education Center (1955)
InSEA's 17th

International Conference was held in Tokyo in 1965.
1998,Tokyo - InSEA's Asia Regional Meeting
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Visual culture in Japanese art education Newly emerged issues in art

Visual culture in Japanese art education

Newly emerged issues in art education:
To

cultivate critical attitude toward visual culture;
Not to neglect student's keen interest in comics;
To work on various points such as the purposes of artwork, the artistic backgrounds, etc.
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Conclusion In the beginning of the 20th century the Japanese art

Conclusion

In the beginning of the 20th century the Japanese art education

was influenced by the ideas from the western countries, which included the concept of freedom and creativity.
A strong impact was made by such movements as the Free-Expression Movement in 1920s and the Creative Aesthetic Education Movement in the 1950-1960s.
From around 1965 Japan began to develop its own perpective in art education.
Recently the major issues of art education have been concentrated on visual culture. Appropriate understanding of popular culture is taught.