What is stylistics?

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Stylistics is a method of textual interpretation in which primacy of

Stylistics is a method of textual interpretation in which primacy of

place is assigned to language. The reason why language is so important to stylisticians is because the various forms, patterns and levels that constitute linguistic structure are an important index of the function of the text.
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The preferred object of study in stylistics is literature, whether that

The preferred object of study in stylistics is literature, whether that

be institutionally sanctioned ‘Literature’ as high art or more popular ‘noncanonical’ forms of writing. The traditional connection between stylistics and literature brings with it two important considerations, though.
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The first is that creativity and innovation in language use should

The first is that creativity and innovation in language use should

not be seen as the exclusive preserve of literary writing. Many forms of discourse (advertising, journalism, popular music – even casual conversation) often display a high degree of stylistic dexterity, such that it would be wrong to view dexterity in language use as exclusive to canonical literature.
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The second consideration is that the techniques of stylistic analysis are

The second consideration is that the techniques of stylistic analysis are

as much about deriving insights about linguistic structure and function as they are about understanding literary texts. Thus, the question ‘What can stylistics tell us about literature?’ is always paralleled by an equally important question ‘What can stylistics tell us about language?’.
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Stylistics is interested in language as a function of texts in

Stylistics is interested in language as a function of texts

in context, and it acknowledges that utterances (literary or otherwise) are produced in a time, a place, and in a cultural and cognitive context. These ‘extra-linguistic’ parameters are inextricably tied up with the way a text ‘means’. The more complete and context-sensitive the description of language, then the fuller the stylistic analysis is.
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The purpose of stylistics Why should we do stylistics?

The purpose of stylistics
Why should we do stylistics?

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To do stylistics is to explore language, and, more specifically, to

To do stylistics is to explore language, and, more specifically, to

explore creativity in language use. Doing stylistics thereby enriches our ways of thinking about language and, as observed, exploring language offers a substantial purchase on our understanding of texts.
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STYLISTICS AND LEVELS OF LANGUAGE Basic categories, levels and units of

STYLISTICS AND LEVELS OF LANGUAGE

Basic categories, levels and units of analysis

in language that can help organize and shape a stylistic analysis.
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Language in its broadest conceptualisation is not a disorganised mass of

Language in its broadest conceptualisation is not a disorganised mass of

sounds and symbols, but is instead an intricate web of levels, layers and links. Thus, any utterance or piece of text is organised through several distinct levels of language.
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Levels of language

Levels of language

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These basic levels of language can be identified and teased out

These basic levels of language can be identified and teased out

in the stylistic analysis of text, which in turn makes the analysis itself more organised and principled.
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PHONO-GRAPHICAL LEVEL. MORPHOLOGICAL LEVEL. Sound Instrumenting. Оnomatopoeia. Craphon. Graphical Means. Morphemic Repetition. Extension of Morphemic Valency.

PHONO-GRAPHICAL LEVEL. MORPHOLOGICAL LEVEL.

Sound Instrumenting.
Оnomatopoeia.
Craphon. Graphical Means.
Morphemic Repetition. Extension

of Morphemic Valency.
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LEXICAL LEVEL Word and its Semantic Structure. Connotational Meanings of a

LEXICAL LEVEL

Word and its Semantic Structure.
Connotational Meanings of a Word.
The Role

of the Context in the Actualization of Meaning.
Stylistic Differentiation of the Vocabulary.
Literary Stratum of Words. Colloquial Words.
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Lexical Stylistic Devices Metaphor. Metonymy. Synecdoche. Play on Words. Irony. Epithet.

Lexical Stylistic Devices

Metaphor. Metonymy.
Synecdoche. Play on Words. Irony. Epithet.
Hyperbole. Understatement.

Oxymoron.
Synecdoche /sɪˈnɛkdəki/
Oxymoron /ˌɒksɪˈmɔːrɒn/
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SYNTACTICAL LEVEL Main Characteristics of the Sentence. Syntactical SDs. Sentence Length.

SYNTACTICAL LEVEL

Main Characteristics of the Sentence.
Syntactical SDs.
Sentence Length. One-Word

Sentences. Sentence Structure. Punctuation. Arrangement of Sentence Members. Rhetorical Question. Types of Repetition. Parallel Constructions. Chiasmus /kɪˈazməs/. Inversion. Suspense, Detachment. Completeness of Sentence Structure. Ellipsis /ɪˈlɪpsɪs/. One-Member Sentences. Apokoinu Constructions. Break.
Types of Connection.
Polysyndeton. Asyndeton /əˈsɪndɪt(ə)n/. Attachment
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Lexico-Syntactical Stylistic Devices. Antithesis. Climax. Anticlimax. Simile. Litotes. Periphrasis. Simile /ˈsɪmɪli/ Litotes /ˈlʌɪtətiːz/

Lexico-Syntactical Stylistic Devices.

Antithesis. Climax. Anticlimax. Simile. Litotes. Periphrasis.
Simile /ˈsɪmɪli/
Litotes

/ˈlʌɪtətiːz/
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TYPES OF NARRATION Author's Narrative. Dialogue. Interior Speech. Represented. Speech. Compositional Forms.

TYPES OF NARRATION

Author's Narrative. Dialogue. Interior Speech. Represented.
Speech. Compositional Forms.

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COGNITIVE STYLISTICS. Metaphor. Metonymy. George Lakoff and Mark Johnsen (2003) Metaphors

COGNITIVE STYLISTICS.
Metaphor. Metonymy.
George Lakoff and Mark Johnsen (2003)
Metaphors we live

by.
London: The university of Chicago press.
Lakoff George, Johnson Mark. Metaphors We Live By. Chocago: The University of Chicago Press, 1981.
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Metaphor is for most people a device of the poetic imagination

Metaphor is for most people a device of the poetic imagination

and the rhetorical flourish—a matter of extraordinary rather than ordinary language. Moreover, metaphor is typically viewed as characteristic of language alone, a matter of words rather than thought or action.