Rococo

Сентябрь 6, 2022

Содержание

2. Rococo is an 18th-century artistic movement and style, affecting many aspects of the arts including painting,
3. Characteristics of the Rococo Style: a light, fanciful, feminine approach to decoration the preoccupation of society
4. Rococo architecture Thomas Jefferson. In 1796, Jefferson began to build a great house for himself atop
5. The Mirror Room – Amalienburg Palace (Munich 1734) A pavilion for Royal relaxation by François de
6. Rococo architecture mostly focuses on the interior of a building, such as the ballroom.
7. Rococo architecture is actually a later version of the Baroque style. While there are many similarities
8. Furniture and Decoration French Rococo shows its anti-classical nature in several ways: a rejection of the
9. Louis XIV Louis XV Louis XVI The chair was now designed for the human body, in
10. Rococo Furniture replicating behavior patterns Tête-a-tête (or confidante): seating two people Canapé a confidante (closed at
11. Rococo painting
12. “The Marriage Contract” Jean-Antoine Watteau, 1713
13. “The French Theater” Jean-Antoine Watteau, 1714
14. “The Pleasures of the Ball” Jean-Antoine Watteau, 1717
15. “The Swing” Jean Honoré Fragonard 1766
16. “The Stolen Kiss” Jean Honoré Fragonard Late 1780s
17. “A Young Girl Reading” Jean Honoré Fragonard 1776
18. “The Triumph of Venus” François Boucher 1740
19. “La Toilette” – François Boucher, 1742
20. “The Marquis de Pompadour” François Boucher 1756
21. “The House of Cards” Jean Siméon Chardin 1735
22. Rococo Dress The delicate frothiness of the Rococo was reflected in clothing styles. From the 1720s
23. The Declaration of Love By Jean-Francois De Troy (France, 1731) 1715-1790, Men's costume retained the artificial
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Rococo is an 18th-century artistic movement and style, affecting many aspects

of the arts including painting, sculpture, architecture, interior design, decoration, literature, music, and theatre.

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Characteristics of the Rococo Style:
a light, fanciful, feminine approach to

decoration
the preoccupation of society with a romantic view of life, and a tendency towards eroticism and superficiality
a reaction to the rigid "grand manner" of court life under Louis XIV

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Rococo architecture
Thomas Jefferson. In 1796, Jefferson began to build a great

house for himself atop a small mountain near Charlottesville, Virginia (Monticello means "small mountain" in Italian). He continued to build and modify the house until his death in 1826. The house is an expression of the Age of Enlightenment, with such features as a built-in calendar and a greenhouse. The design is Neoclassical in style, employing elements from Greek and Roman architecture.

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The Mirror Room – Amalienburg Palace (Munich 1734)
A pavilion for Royal

relaxation by François de Cavaliers who almost single-handedly responsible for the spread of the Rococo style to Bavaria and then to the rest of Germany and Austria .
Boiserie
Interior Sculptured Wall
Paneling
(usually floor to ceiling)… as a rule enriched by carving, gilding, and painting (rarely inlayed)

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Rococo architecture mostly focuses on the interior of a building, such

as the ballroom.

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Rococo architecture is actually a later version of the Baroque style.

While there are many similarities between the Baroque and the Rococo styles, Rococo buildings tend to be softer and more graceful.

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Furniture and Decoration
French Rococo shows its anti-classical nature in several ways:

a rejection of the use of the classical Orders in supports and structural elements,
an embrace of asymmetry,
restless and flickering movement.
the use of asymmetrical scrolls,
scallop shells, elongated S and C curves,

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Louis XIV Louis XV Louis XVI
The chair was now designed for

the human body, in contrast to the sculptural approach to furniture in the Classical Baroque.

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Rococo
Furniture replicating behavior patterns
Tête-a-tête (or confidante): seating two people
Canapé

a confidante (closed at both ends with a corner seat. )
Four-seater

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Rococo painting

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“The Marriage Contract” Jean-Antoine Watteau, 1713

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“The French Theater” Jean-Antoine Watteau, 1714

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“The Pleasures of the Ball” Jean-Antoine Watteau, 1717

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“The Swing”
Jean
Honoré
Fragonard
1766

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“The Stolen Kiss”
Jean
Honoré
Fragonard
Late 1780s

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“A Young Girl Reading”
Jean
Honoré
Fragonard
1776

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“The Triumph of Venus”
François Boucher
1740

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“La Toilette” – François Boucher, 1742

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“The Marquis de Pompadour”
François Boucher
1756

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“The House of Cards”
Jean Siméon Chardin
1735

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Rococo Dress
The delicate frothiness of the Rococo was reflected in clothing

styles. From the 1720s until the Revolution, French taste dominated Europe.
The Rococo style spread to England, Spain, central Europe, and even into Russia. This period of aristocratic negligence and nostalgia drifted to a final conclusion in the bloodshed and turmoil of the French Revolution.
During the Revolutionary period, 1787 - 1795, the last vestiges of aristocratic dress were swept away, along with the individuals who wore them. The painting below captures the graceful indolence of the lifestyle.

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The Declaration of Love
By Jean-Francois De Troy (France, 1731)
1715-1790, Men's

costume retained the artificial Elizabethan silhouette - padded doublet and breeches and the starched ruff - for the first two decades of the century.
Shirts features a narrow band of linen tied at the neck, the cravat.
The waistcoat extended to the knee, and was of rich brocades: fabric woven with an elaborate design.
This painting shows the typical silhouette of the first three decades of the century. Wigs, much reduced in size from the end of the 17th century, were tied back into a queue with a black ribbon, and powdered. Shoes had low heels and large silver buckles.